Posted in News
20/09/2021

This landscape photography shootout sees 24mm and 200mm lenses go head-to-head

We ceaselessly see lenses described as being for a specific form of photography. Anything within the 50-135mm vary is for portraits, anything else 150 and up is for flora and fauna or sports activities and anything else 28mm or much less is usually considered a “landscape lens”. Wide perspective lenses simply generally appear to be designated to that style.

It’s all nonsense, in fact, you’ll be able to shoot no matter you need with no matter focal duration you prefer. And that’s put to the take a look at on this landscape photography problem between landscape photographers Nigel Danson and James Popsys. One is most effective allowed to shoot with a 24mm whilst the opposite has to shoot 200mm.

At the start of the problem, neither of them knew which lens they have been going to be capturing despite the fact that they each knew what they sought after to shoot. James sought after the 24mm and Nigel sought after the 200mm. It used to be made up our minds at the turn of a lens cap, because of the nice UK coin scarcity (for actual, who carries money round nowadays?) and they each lucked out and were given the lenses they sought after.

It’s attention-grabbing to listen to them speak about their other approaches whilst they shoot with the 2 very other focal lengths and what they’re searching for within the scene, how they compose and what they wish to direct the viewer’s eye in opposition to. If you’re a landscape shooter that’s most effective ever shot a method, it’s neatly value having an eye fixed.

It’s relatively uncommon that I exploit lengthy focal lengths for landscapes myself – except it’s one thing I plan to shoot a number of pictures of and sew in combination in put up – generally who prefer to go relatively vast. Perhaps it’s the uninteresting and glaring selection for landscapes, however every time I’ve discovered myself “caught” with only a lengthy focal duration lens and pressured myself to search for compositions, I’ve at all times loved the effects I’ve controlled to get.

Perhaps I must get started capturing extra lengthy focal duration landscapes! Do you shoot lengthy lens landscapes or do you desire to go vast?

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