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Quote of the Week by Carrie Mae Weems

“Photography can nonetheless be used to champion activism and alter. I imagine this, even whilst status in the cool winds of postmodernism… Postmodernism appeared radical, but it surely wasn’t. As a motion, it used to be profoundly liberal and turned into a sufferer of itself. Precisely at this historic second, when multicultural democracy is the order of the day, images can be utilized as a formidable weapon towards instituting political and cultural exchange. I for one will proceed to paintings towards this finish.” —Carrie Mae Weems (1952)

Carrie Mae Weems is a modern American artist. Working in images and video, her paintings confronts problems of racism, gender, politics, and identification, specifically the ones in African American communities. Weems is especially occupied with the use of the visible language of documentary images, mixing it with narrative fictional scenes to problem her target market’s preconceptions and to power political and social exchange. Born in Portland, OR, she went on to review dance with the Postmodern dancer Anna Halprin, sooner or later receiving her MFA from the University of California San Diego. In 2014, Weems used to be the matter of a big retrospective at the Guggenheim in New York titled “Three Decades of Photography and Video,” which particularly featured her early Kitchen Table Series (1990), a groundbreaking investigation of African American stereotypes. Weems’ paintings can also be present in the collections of the Metropolitan Museum of Art in New York, the Museum of Contemporary Art, Los Angeles, the Guggenheim Museum in New York, and the Museum of Fine Arts in Houston, amongst others. The artist lives and works between Syracuse and Brooklyn, NY.


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